Indonesian Filmmaker Makes Impact With Chronicle on Urbanization

JAKARTA, KOMPAS.com – Indonesian anthropologist and filmmaker Aryo Danusiri has won critical acclaim for his poignant observations of Indonesian remote communities for nearly two decades following the ousting of late strongman Suharto’s New Order [Orde Baru] regime in 1998.

Many of his short films, such as his 2001 short feature "Village Goat Takes A Beating' and "Lukas’ Moment: A Journey Between Hope and Desperation" two years later, depicted the collective trauma ongoing military operations in the provinces of Aceh and Papua inflict on those caught in the crossfire between Indonesian forces and insurgents.

The former caught the attention of the 2001 Amnesty Film Festival in Rotterdam, the Netherlands, while the latter gained critical acclaim at the Royal Anthropological Institute [RAI] Film Festival in Great Britain and the Margaret Mead Film Festival in the United States.

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Now, Aryo is set to replicate his success at the 2021 RAI Film Festival. His short film "House No. 15" is a contender for its RAI & Marsh Short Film Prize for Best Ethnographic Documentary at the event, which runs to March 28.

KOMPAS.com / KRISTIANTO PURNOMO The Ciliwung River as it flows past Bukit Duri, South Jakarta, nearly a year after the community's razing (24/10/2017)

Observing with a humane, sharp eye

Produced at Harvard University’s Sensory Ethnography Lab [SEL], the film was created as part of his Ph.D. dissertation on spatiality, visuality, and religious authority in contemporary Indonesia.

Since then, the seven minute short movie has earned critical acclaim during its premiere at the 2018 Jogja Asian Film Festival [JAFF], and the 2019 Toronto Biennale.

House No. 15 chronicled life among the inhabitants of Bukit Duri, a South Jakarta shantytown on the shores of the Ciliwung River in December 2014, nearly two years before then Jakarta governor Basuki Tjahaja ‘Ahok’ Purnama razed the homes in 2016 for compounding floods in the area.

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Instead of using a shaky camera technique to juxtapose the locals’ helplessness with relentless bulldozers that tore down their houses, the 47-year old used a single-shot camera to sensitively portray daily life through the eyes of children and an elderly woman.

Aryo shot the film during the peak of the floods in the rainy season. In doing so, he showed his compassion for the locals’ literal and figurative efforts to resist from being swept away by the floods and the relentless pace of modernization and political tensions sweeping up Jakarta.

Politics-free advocacy

“Advocacy for common people who are increasingly marginalized by Jakarta’s urbanization does not always have to be through politically charged hard facts. One can use experiential facts equally effectively to get the same point across,” he said in a press release.

“All too often, documentaries and other films miss the humanity often seen in daily life as they pursue agendas dictated by political points.”